Jazz: Drumming Bebop


Bebop, also known as Bop, was a radical new style that developed in the early 1940's, and became popular by 1945.

With breakneck tempos, stunning extended solos and advanced harmonic sensibility Bebop made people sit up and take notice.
Technique will come into play here as tempos are pushed so high that the ride is not swung but played as straight eighths.

During a solo, the musicians will usually improvise around the chords, rather than staying within the boundaries of the melody.

Definitely check out it Charlie Parker and Dizzie Gillespie then try, Sonny Stitt, Bud Powell, Tadd Dameron and Barney Kessel.

For Big Band meets Bebop try Stan Kenton or Woody Herman.

Important: Feather the bass drum for all 4 beats, and play the high-hat with your left foot on beats 2 & 4. If the bass drum is notated with something different than quarter notes (comping), play the bass drum.

 

Listening List:

Charlie Parker

Dizzy Gillespie
Sonny Stitt
Bud Powell
Tadd Dameron
Barney Kessel
Stan Kenton
Woody Herman
 
Beats:

1) Here is an exerpt from Dizzy Gillespie's Anthropology, 1:18 into the track

 

2) Here is a great example of Bebop comping, taken from Charlie Parker's recording of Bloomdido with Max Roach on drums from about 13 seconds into the track.


- Printable Version from www.drummingstyles.com

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